Volume 16, Issue 2 , Pages 129-131, April 2012
The ARTT of palpation?
Article Outline
‘Palpation cannot be learned by reading or listening; it can only be learned by palpation’ (Viola Frymann, 1963)
Studies regularly emerge that question the reliability of manual palpation and assessment methods (Robinson et al., 2009, Rajendran and Gallagher, 2011) – with, unsurprisingly, periodic acknowledgment that well-trained practitioners perform more accurately and reliably than novices (Snider et al., 2011, Bradley et al., 2010), and also that – sometimes – palpation methods are actually reliable (Myburgh et al., 2011, Arab et al., 2009).
This confusing – and disappointing - picture is not unique to the manual therapies.
Examples abound throughout the healthcare spectrum, even in critical, life-threatening situations, of inadequate palpation and assessment skills, and two examples illustrate this.
In osteopathic medicine the acronym ARTT relates to four, mainly palpable, characteristics of somatic dysfunction, in which A stands for Asymmetry, R stands for Range of motion changes, T stands for tissue texture changes, and the final T stands for tenderness.
With those examples in mind, and reassurances that manual palpation can be made more reliable by the level of training (and development of ‘confidence’), it may be useful for educators – and practitioners as individuals - to refocus on making palpation the highly skilled process that many believe it capable of being.
The evidence offered above relates to the science of palpation, but palpation is also an art. Kappler (1997) expresses it in this way:
“The art of palpation requires discipline, time, patience and practice. To be most effective and productive, palpatory findings must be correlated with a knowledge of functional anatomy, physiology and pathophysiology. It is much easier to identify frank pathological states, a tumor for example, than to describe signs, symptoms, and palpatory findings that lead to or identify pathological mechanisms. Palpation with fingers and hands provides sensory information that the brain interprets as: temperature, texture, surface humidity, elasticity, turgor, tissue tension, thickness, shape, irritability, motion. To accomplish this task, it is necessary to teach the fingers to feel, think, see, and know. One feels through the palpating fingers on the patient; one sees the structures under the palpating fingers through a visual image based on knowledge of anatomy; one thinks what is normal and abnormal, and one knows with confidence acquired with practice that what is felt is real and accurate”
Kappler further identified a key element that can lead to confusion: A more significant component [of palpation skills] is to be able to focus on the mass of information being perceived, paying close attention to those qualities associated with tissue texture abnormality, and bypassing many of the other palpatory clues not relevant at the time. This is a process of developing mental filters … The brain cannot process everything at once. By concentrating only on the portion you want, it becomes easy and fast to detect areas of significant tissue texture abnormality.’ See Fig. 1
Kappler et al. (1971) tested this concept and found that when student examiners were compared with experienced practitioner examiners, although the students recorded more palpation findings, the practitioners recorded more significant findings.

Figure 1
Tactile discrimination. Spatial discrimination: in the two-point test, the spatial discriminative ability of the skin is determined by measuring the minimum separable distance between two tactile point stimuli. The back of the hands, the back and legs rate low (50–100 mm). The fingertips, lips and tongue rate high in this ability (1–3 mm). Intensity discrimination: sensitive areas are also better able to discriminate differences in the intensity of tactile stimuli. Therefore, an indentation of 6 mm on the fingertip is sufficient to extract a sensation. This threshold is four times higher in the palm. (From: Chaitow L. Palpation & Assessment Skills 3rd edition, Churchill Livingstone, 2010; with permission).
The experienced practitioners were filtering out the unimportant and focusing on what was meaningful, rather than being ‘overwhelmed with the mass of palpatory data’.
Maitland (2001) offers an example of what is necessary to combine art and science:
“To achieve this skill it is necessary to be able to feel, by palpation, the difference in the spinal segments – normal to abnormal; old or new; hypomobile or hypermobile – and then be able to relate the response, site, depth and relevance to a patient’s symptoms (structure, source and causes).”
Learning the art of palpation, to achieve palpatory literacy should not eliminate the science, but should incorporate science it into the experience. It is suggested that this process of turning a scientific exploration into an art (or ARTT) requires practice, dedication and a degree of focus that should epitomize manual practice (and education). (Chaitow, 2010)
References
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PII: S1360-8592(12)00019-8
doi:10.1016/j.jbmt.2012.01.018
© 2012 Published by Elsevier Inc.
Volume 16, Issue 2 , Pages 129-131, April 2012
