Performing arts medicine – Instrumentalist musicians, Part II – Examination

References 

1. Ackermann B, Adams R. Physical characteristics and pain patterns of skilled violinists. Med. Probl. Perform. Artists. 2003;18(2):65–71
2. Ackermann BJ, Adams R. Interobserver reliability of general practice physiotherapists in rating aspects of the movement patterns of skilled violinists. Med. Probl. Perform. Artists. 2004;19(1):3–11
3. Ackermann BJ, Adams RD. Perceptions of causes of performance-related injuries by music health experts and injured violinists. Percept. Mot. Skills. 2004;99(2):669–678
   • MEDLINE
   • CrossRef
4. Amadio PC, Russoti GM. Evaluation and treatment of hand and wrist disorders in musicians. Hand Clin. 1990;6(3):405–416
   • MEDLINE
5. Balfoort B. Houding, adem en keel; Fundamenten voor zangers, blazers en sprekers. Baarn: Bosch & Keuning; 1985;
6. Batson G. Conscious use of the human body in movement. Med. Probl. Perform. Artists. 1996;11:3–11
7. Batson, G., 1997. Traditional and nontraditional approaches to performing arts physical therapy. In: Gallagher, S.P. (Ed.), Orthopaedic Physical Therapy Clinics of North America; Physical Therapy for the Performing Artists, Part II: Music and Dance, vol. 6. W.B. Saunders Company, Philadelphia, pp. 207–230.
8. Bejjani FJ, Ferrara L, Xu N, Tomaino CM, Pavlidis L, Wu J, et al. Comparison of three piano techniques as an implementation of a proposed experimental design. Med. Probl. Perform. Artists. 1989;4:109–113
9. Bejjani FJ, Kaye GM, Benham M. Musculoskeletal and neuromuscular conditions of instrumental musicians. Arch. Phys. Med. Rehabil. 1996;77(4):406–413
   • Abstract
   • Full-Text PDF (1049 KB)
   • CrossRef
10. Bengtson KA, Schutt AH, Swes RG, Berquist TH. Musicians overuse syndrome; a pilot study of magnetic resonance imaging. Med. Probl. Perform. Artists. 1993;8:77–80
11. Blanken WCG, Rijst Hvd, Mulder PGH, Eijsden-Bessling MDF, Lankhorst GJ. Interobserver and intraobserver reliability of postural examination. Med. Probl. Perform. Artists. 1991;6:93–97
12. Brandfonbrener AG. Joint laxity in instrumental musicians. Med. Probl. Perform. Artists. 1990;5:117–119
13. Brandfonbrener AG. The etiologies of medical problems in performing artists. In:  Sataloff RT,  Brandfonbrener AG,  Lederman RJ editor. Performing Arts Medicine. San Diego: Singuler Publishing Group; 1998;p. 19–45
14. Brandfonbrener AG. Joint laxity and arm pain in a large clinical sample of musicians. Med. Probl. Perform. Artists. 2002;17:113–115
15. Brandfonbrener AG. Special issues in the medical assessment of musicians. Phys. Med. Rehabil. Clin. N. Am. 2006;17(4):747–753v
    • Full Text
    • Full-Text PDF (93 KB)
    • CrossRef
16. Brouw NAB. Stem en lichaam. Stafleu: Alphen a/d Rijn; 1983;
17. Bryant GW. Myofascial pain dysfunction and viola playing. Br. Dent. J. 1989;166(9):335–336
    • MEDLINE
    • CrossRef
18. Cailliet R. Abnormalities of the sitting posture of musicians. Med. Probl. Perform. Artists. 1990;5:131–135
19. Chen S-M, Chen J-T, Kuan T-S, Hong J, Hong C-Z. Decrease in pressure pain thresholds of latent myofascial trigger points in the middle finger extensors immediately after continuous piano practice. J. Musculoskeletal Pain. 2000;8(3):83–92
20. Cynamon KB. Flutist's neuropathy. N. Engl. J. Med. 1982;305(16):961
21. Davies C. Musculoskeletal pain from repetitive strain in musicians: insights into an alternative approach. Med. Probl. Perform. Artists. 2002;42–49
22. Dawson WJ. Intrinsic muscle strain in the instrumentalist. Med. Probl. Perform. Artists. 2005;20(2):66–69
23. De Smet L, Ghyselen H, Lysens R. Incidence of overuse syndromes of the upper limb in young pianists and its correlation with hand size, hypermobility and playing habits. Chir. Main. 1998;17(4):309–313
    • MEDLINE
24. Dommerholt J. Posture. In:  Tubiana R,  Amadio P editor. Medical Problems of the Instrumentalist Musician. London: Martin Dunitz; 2000;p. 399–419
25. Dommerholt, J., Norris, R.N., 1997. Physical therapy management of the instrumental musician. In: Gallagher, S.P. (Ed.), Physical Therapy for the Performing Artist, Part II; Music and Dance; Orthop. Phys. Ther. Clin. N. Am, vol. 6. W.B. Saunders Company, Philadelphia, pp. 185–206.
26. Eijsden-Besseling MDFv, Kuijers M, Kap B. Differences in posture and postural disorders between musici and medical students. Med. Probl. Perform. Artists. 1993;8:110–114
27. Fernández de las Peñas C, Alonso-Blanco C, Cuadrado ML, Gerwin RD, Pareja JA. Trigger points in the suboccipital muscles and forward head posture in tension-type headache. Headache. 2006;46(3):454–460
    • MEDLINE
    • CrossRef
28. Fernández de las Peñas C, Cuadrado ML, Pareja JA. Myofascial trigger points, neck mobility, and forward head posture in episodic tension-type headache. Headache. 2007;47(5):662–672
    • MEDLINE
    • CrossRef
29. Feuerstein M, Hickey PF. Ergonomic approaches in the clinical assessment of occupational musculoskeletal disorders. In:  Turk DC,  Melzack R editor. Handbook of Pain Assessment. New York: The Guilford Press; 1992;p. 71–99
30. Fry HJH. Occupational maladies of musicians: their cause and prevention. Int. J. Music Ed. 1984;4:59–63
31. Fry HJH. Overuse syndrome in clarinetists. Clarinet. 1987;14(3):
32. Hopmann RA. Musculoskeletal problems in instrumental musicians. In:  Sataloff RT,  Brandfonbrener AG,  Lederman RJ editor. Performing Arts Medicine. San Diego: Singular Publishing Group; 1998;p. 205–229
33. Hullegie W. Fysiotherapie; een wetenschapstheoretische en vakfilosofische analyse. Utrecht: De Tijdstroom; 1995;
34. Kapandji AI. Anatomy of the sine. In:  Tubiana R,  Amadio PC editor. Medical Problems of the Instrumentalist Musician. London: Martin Dunitz; 2000;p. 55–68
35. Keer RJ, Grahame R. Hypermobility Syndrome: Diagnosis and Management for Physiotherapists. London: Butterworth Heinemann; 2003;
36. Knebelman S, Ralson Dressler P, Mathews Brion M, et al. The essentials of the Alexander technique. In:  Gelb H editors. New Concepts in Craniomandibular and Chronic Pain Management. London: Mosby-Wolfe; 1994;p. 177–185
37. Kopfstein-Penk A. The Healthy Guitar. Arlington: Kopfstein-Penk; 1994;
38. Kuorinka I, Forcier L. Work Related Musculoskeletal Disorders (WMSDs); a Reference Book for Prevention. Bristol: Taylor & Francis, Inc.; 1995;
39. Lambert CM. Hand and upper limb problems of instrumental musicians. Br. J. Rheumatol. 1992;31(4):265–271
    • MEDLINE
40. Larsson LG, Baum J, Mudholkar GS, Kollia GD. Benefits and disadvantages of joint hypermobility among musicians. N. Engl. J. Med. 1993;329(15):1079–1082
    • MEDLINE
    • CrossRef
41. Larsson SE, Bengtsson A, Bodegard L, Henriksson KG, Larsson J. Muscle changes in work-related chronic myalgia. Acta Orthop. Scand. 1988;59(5):552–556
    • MEDLINE
42. Markison RE. Adjustment of the musical interface. In:  Winspur I,  Wynn Parry CB editor. The Musician's Hand. London: Martin Dunitz; 1998;p. 149–159
43. Mayers H, Babits L. A balanced approach: the Alexander technique. Music Ed. J. 1987;7(3):51–54
44. Meador R. The treatment of shoulder pain and dysfunction in a professional viola player: implications of the latissimus dorsi and teres major muscles. J. Orthop. Sports Phys. Ther. 1989;11(2):52–55
45. Meinke WB. Risks and realities of musical performance. Med. Probl. Perform. Artists. 1998;13:56–60
46. Moulton B, Spence SH. Site-specific muscle hyper-reactivity in musicians with occupational upper limb pain. Behav. Res. Ther. 1992;30(4):375–386
    • MEDLINE
    • CrossRef
47. Nabb D. Interview with Maarten Visser. Med. Probl. Perform. Artists. 2006;21(4):159–163
48. Norris RN. Clinical observations on the 1991 National Flute Association survey. Flutist Quarterly. Summer 1996;77–80
49. Norris RN, Dommerholt J. Orthopädische Probleme und Rehabilitation bei muskuloskeletalen Störungen. In:  Blum J editors. Medizische Probleme bei Musikern. Stuttgart: Georg Thieme Verlag; 1995;p. 116–159
50. Norris RN, Dommerholt J. Applied ergonomics; adaptive equipment and instrument modification for musicians. Orthop. Phys. Ther. Clin. N. Am. 1996;5:159–183
51. Ostwald PF. Psychodynamics of musicians; the relationship of performers to their musical instruments. Med. Probl. Perform. Artists. 1992;7:110–113
52. Russek LN. Hypermobility syndrome. Phys. Ther. 1999;79(6):591–599
    • MEDLINE
53. Russek LN. Examination and treatment of a patient with hypermobility syndrome. Phys. Ther. 2000;80(4):386–398
    • MEDLINE
54. Samama A. Muscle Control for Musicians. Utrecht: Bohn, Scheltema & Holkema; 1981;
55. Smutz WP, Bishop A, Niblock HMM, Drexler M, An K. Load on the right thumb of the oboist. Med. Probl. Perform. Artists. 1995;10:94–99
56. Wagner C. Success and failure in musical performance; Biomechanics of the hand. In:  Roehmann FL,  Wilson FR editor. The Biology of Music Making. Proceedings of the 1984 Denver Conference. St. Louis: MMB Music; 1988;
57. Wagner C. Physiologische und pathophysiologische Grundlagen des Musizierens. In:  Blum J editors. Medizinische Probleme bei Musikern. Stuttgart: Georg Thieme Verlag; 1995;p. 2–29
58. Wainapel SF, Cole JL. The not-so-magic flute: two cases of distal ulnar nerve entrapment. Med. Probl. Perform. Artists. 1988;5:63–65
59. Williamson M. Means to Means: the Role of the Alexander Technique in Music. 1998;Available from: http://www.alexander-technique-london.co.uk/alexander_technique_articles.php?article=35
60. Williamson M. Making connections: an introduction to the Alexander Technique for practitioners of performing arts medicine. J. Br. Assoc. Perform. Arts Med. Summer 2003;4:
61. Williamson M, Roberts N, Moorhouse A. The role of the Alexander technique in musical training and performing. Int. Symp. Performance Sci. 2007;369–374www.performancescience.org